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More Than - Mattia Furlani

To infinity and beyond

More Than - Mattia Furlani To infinity and beyond

Mattia Furlani

To infinity and beyond

 
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To speak with Mattia Furlani is a game. And it's almost absurd that it is. It's hard to believe that you don't detect even a hint of tension in his words or behaviour, just as it's unthinkable to make even the slightest effort to maintain a conversation with him. Conversations flow smoothly like a river: After five minutes, there is already the confidence of a classmate, a lifelong friend, a neighbour. Mattia Furlani is a mate, and he simply doesn't have the heart to embarrass you or flexing a status he's earned more than ever by burning every stage, every finish line.

No sooner have we met than he hands us his recently published children's novel The Longest Jump, a story that already reveals, in part, Mattia's affinity for other people and his desire to share his experiences as an athlete and others. Mattia Furlani is the new protagonist of More Than; and it's easy to explain why he's already more than just an athlete. Just look at his pedigree or the way he handles pressure and responsibility with the composure of a veteran, a seasoned adult. But how does one become Mattia Furlani? Only he himself can explain that. The fact is that his life, and therefore his sporting career, are flavoured with ingredients that you rarely find in an athlete - especially not all at once.

We met him in Milan, on a classic Milanese day. It is 2 April: less than ten days have passed since the long jumper, born in 2005, became world champion in the indoor long jump in Nanjing. There are many more goals on the horizon that he would like to add to his list of successes, but above all what promises to be a decisive chapter in his life three years earlier than planned: the 2028 Summer Olympics in Los Angeles. "After Nanjing, it's officially impossible for me not to think about my work. But that's never been a problem. I am so relaxed because it has never been an obstacle to talk about my work, about what I do, about the sacrifices behind it. Firstly, because these sacrifices are real and of course indispensable, and secondly, because my life is a long jump, and there are no excuses."

 

Let's try to put Mattia to the test right at the beginning and almost challenge this disarming calm: How is it possible not to be afraid of regretting something? How many things do you risk not doing at just 20 years old in order to devote yourself fully to your work? "They were immediately clear to me: my family, the Golden Flames, the Italian association - all of them. I realised from the start that there were some things I couldn't do, unlike my friends. When they're organizing their summer holidays, I'm in the middle of the competition season. And so nothing, the sacrifices are many. I can only hope (and try) that the races go well so I can maybe organise parties and spend some time with my friends." Talking about sacrifices is a bit of a cliché, but in Mattia's case it's worth addressing them in general terms, leaving performance and technical aspects aside, at least for a moment. It's clear that making sacrifices at the age of 20 is not the same as making them later in life. Sacrificing at 20 the desire to lead the lives of your friends, the normality of being able to express yourself, is not easy at all.

«I don't want to sound exaggerated, but one of my biggest difficulties is having to wear the national team uniform all the time. I like fashion, but I especially like watches. I'm a big fan. However, I've learnt that I can't wear them all the time and as often as I'd like.»
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«I don't want to sound exaggerated, but one of my biggest difficulties is having to wear the national team uniform all the time. I like fashion, but I especially like watches. I'm a big fan. However, I've learnt that I can't wear them all the time and as often as I'd like.»
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"I don't want to sound exaggerated, but one of my biggest difficulties is always having to wear the national team uniform - I mean the representative uniform, not the competition uniform. I like fashion, I like to dress the way I want. My favourite brand is AMI Paris, for example, because it reflects what I want to express at the moment: an inconspicuous attitude. No flashy logos. I want to look good, but I don't want to stand out. I prefer to stand out through the shapes, silhouettes and details of the garments rather than through other special features.
"But most of all I like watches, I'm a big fan. But here, too, I have learnt that I have to make peace with myself and my job: I can't wear them all the time and as often as I'd like." In the meantime, Mattia switches between the outfits we have chosen for this shoot; he wears Japanese brands such as Junya Watanabe and Issey Miyake, which reflect exactly what he has just told us: For him, it's all about the details, like silhouettes and tailored cuts - and it's obvious, because they look great on him.
Mattia's mother is Kathy Seck, a former sprinter of Senegalese descent and current coach, while his father is Marcello Furlani, a former high jumper. Incidentally, he was Tamberi's father's arch-rival in the 1980s. And his sister Erika is also a high jumper. In short, there is no shortage of stimulation in the Furlani household: the mantra is to always strive for the top and taking care of the details - including off-field distractions - is the order of the day. Mattia knows very well how to let off steam away from the platform; for example, music is one of the ways he can distract himself from his work.

"My brother is a producer, so I've learnt to look at music from a more technical point of view. Also, music is something that I find more accessible - allow me to use that expression - than fashion, where I have more obvious limitations. I can listen to it before competitions, it can be a source of inspiration, but above all it's a hobby that I can cultivate more easily and with fewer hiccups (laughs, editor's note)." “If I had to link the three jumps that gave me the gold in Nanjing to a music track, it would be Revenge by XXXTentacion: the pursuit of victory, revenge and retribution is the engine that drives me.” Otherwise, Mattia tells it like it is, without hiding, and lets the more human side of himself speak.
"I'm a big Roma fan, and if it happened one day that the team reached the Champions League final and the match was on the same day and at the same time as an important game, I really don't know how I would do it. A similar situation happened to me at the Travis Scott concert at Circus Maximus: My brother was there, all my friends were there, but I was busy with the European U20: I felt the FOMO."

Perhaps it is in an individual discipline that can be as alienating as the long jump that an athlete feels the need to externalise their humanity more, to find a safe place in the small everyday things. Perhaps what drives Mattia Furlani is therefore the desire to adapt more to what normal people do and feel than to unattainable idols. In pain, in suffering, in joy or simply in the everyday, Mattia's endeavour is ultimately to seek normality.

Photographer: Agostino Giorgio Chiarucci
Light assistant: Nicolò Rampazzo
Stylist: Mirko De Propis
Stylist assistant: Sofia Motta
MUAH: Carolina Antonini
Interview: Andrea Mascia

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